Still images from Black Flow project
Morphing landscapes and electroacoustic environments
An audio/visual performance with floor projection (10x10m)
@ Kühlhaus Berlin 27-02-2015
Floros Floridis: reeds, live-electronics
Andreas Karaoulanis: animation-programming
Patrick K.-H.: animation
confusion
“mistakes” take place
manipulation
“mistakes” are repeated.
equilibrium
what comes out from “mistakes”
Bestbefore & Klaus Kürvers A/V Performance @ 19/11/2013 – time based animation, doublebass
Klaus Kürvers – born 1950 in Essen (Germany), doublebass studies 1964-68 among others with Peter Trunk. During the sixties member of the Essen Youth Symphony Orchestra and also at the same time of different amateur Jazz groups (“Free Jazz” since 1967); 1969-71 in Cologne with the Jazz-Rock-Group “Eiliff” (w/Rainer Brüninghaus). Interupted 1971-2006 his public music activities for his studies and professional scientific career as an architect and cultural historian in Berlin. Since 2006 resumption of his musical activities as part of the Berlin improvisers’ scene. Performing bassist again since 2009 – on one hand with working groups like “Sequoia” (a doublebass quartet with Antonio Borghini, Meinrad Kneer and Miles Perkin), “Pfff…” (with Gerhard Uebele, Tristan Honsinger), “Time Flies” (w/Julie Sassoon, Lothar Ohlmeier, Kalle Mews), “Fizz.Co” (w/Rieko Okuda, Antti Virtaranta, Reinhard Brüggemann), “Assaf Fleischmann Trio” (w/Assaf Fleischmann, Kalle Mews); on the other hand in changing combinations with musicians from the big international community of Berlin Improvisers.
More info: http://drawnsound.org/
Media artists Patrick K.-H. and Oleg Makarov research in the depth of basic media-archeology, working with “drawn sound” technology of 1920’s.
“Drawn sound” (also graphical sound, cutted sound) appeared as the way to produce “sound track” at film tape: converting sound to image (that is graphical spectrum of sound), and back, image (sound spectrum) to sound. At that time, it comes to be the only method to create literally every sound, both “real” and “unreal”, just from drawing. Now, it belongs to forgotten but still fruitful branches of media evolution.
Patrick K.-H. and Oleg Makarov recreate old-school technics by nowdays means: Max/MSP/Jitter, cameras / lenses, video projection, multiscreen, etc.
Also, they employ text-sound composition, sound installation, spatial sound approach, and algorithmic composition. Generally, they define interactivity as an axis for all and every media and data involved into a piece, in order to handle appeared meanings towards this axis.
The whole night was flavoured by this handmade unique screen construction,
build for visual convenience – delicate video artwork untill the first sunbeams arrived!
Lynx started in 2004 and is a doubledrumleadrhythmsectionpowerband. Based on Antonis’ compositions the music is developing in collective improvisations. Combination of arithmetical structures and spontaneous decisions. Studioprize 2005 of the Culture Senat in Berlin. The first CD “Lynx Fux Fox” was released in 2008 on DefKaz records. The second CD “Boon and Bane” was released in March 2012 at the berliner label “La Lune”. The band’s new drummer is Christian Lillinger, who will continue in the place of Samuel Rohrer. Both, Samuel and Christian are appearing on the last recording.